The Tale of the Three Young Brothers: an Analytical Study of Music and Communal Joy (hŭng) in Korean Folk Culture

Mills, Simon R.S.

doi:10.1111/j.1468-2249.2011.00332.x

The Tale of the Three Young Brothers: an Analytical Study of Music and Communal Joy (hŭng) in Korean Folk Culture

Mills, Simon R.S.

Authors

Professor Simon Mills s.r.s.mills@durham.ac.uk
Professor

Abstract

When discussing the essential characteristics of traditional Korean folk music, Korean musicians and scholars often refer to the emotional states of han and hŭng– forms of suffering and communally experienced joy, respectively. This article focusses in particular on hŭng (communal joy), exploring what this state involves, introducing the traditional performance contexts that are particularly associated with it and then investigating how musicians contribute towards its growth, via detailed analysis of a single case-study musical performance: the ‘Tale of the Three Young Brothers’, as sung by a (usually female) Korean shaman (mudang) to the accompaniment of a double-headed hourglass drum (changgo) and large gong (ching). Step-by-step analysis attempts to reveal the complex relationships among song text, rhythm, performative behaviour and emotions, showing how musicians and audience members work together to evince a dramatic transformation from a condition of oppression (han) to one of liberation.

Citation

Mills, S. R. (2011). The Tale of the Three Young Brothers: an Analytical Study of Music and Communal Joy (hŭng) in Korean Folk Culture. Music Analysis, 29(1-3), 276-305. https://doi.org/10.1111/j.1468-2249.2011.00332.x

Journal Article Type	Article
Publication Date	Oct 1, 2011
Deposit Date	Feb 20, 2012
Publicly Available Date	Feb 25, 2014
Journal	Music Analysis
Print ISSN	0262-5245
Electronic ISSN	1468-2249
Publisher	Wiley
Peer Reviewed	Peer Reviewed
Volume	29
Issue	1-3
Pages	276-305
DOI	https://doi.org/10.1111/j.1468-2249.2011.00332.x