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Two Different Approaches to the Relationship between Poetry, History and Philosophy: Walter Benjamin and Martin Heidegger

Mack, Michael

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Authors

Michael Mack



Abstract

This article first shows how an early essay of Walter Benjamin casts poetry as a transcendental mode of potential disruption that swerves away from harmful practices of politics. It then analyses how Benjamin’s understanding of the political dimension of the aesthetic differs from Martin Heidegger’s notion of truth as historical origin. According to Benjamin, art’s as well as technology’s political potential consists in a disturbance of history’s continuity. By breaking the link between the work of art and the aura of its tradition and history, mechanical reproduction helps give birth to the new cosmos of poetry, whose liberating potential Benjamin celebrates in his response to a poem by Friedrich Hölderlin. This article argues that Benjamin is concerned with the social impact of art but in ways different to Heidegger. Rather than subordinating art to historical forces of politics and economics, Benjamin makes us see its intrinsic revolutionary potential.

Citation

Mack, M. (2014). Two Different Approaches to the Relationship between Poetry, History and Philosophy: Walter Benjamin and Martin Heidegger. New readings, 14, 1-30

Journal Article Type Article
Acceptance Date Feb 10, 2014
Publication Date Jan 1, 2014
Deposit Date Jun 18, 2015
Publicly Available Date Jun 18, 2015
Journal New readings.
Print ISSN 1359-7485
Publisher Cardiff School of Modern Languages
Peer Reviewed Peer Reviewed
Volume 14
Pages 1-30
Publisher URL http://ojs.cf.ac.uk/index.php/newreadings/article/view/111

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