We use cookies to ensure that we give you the best experience on our website. By continuing to browse this repository, you give consent for essential cookies to be used. You can read more about our Privacy and Cookie Policy.

Durham Research Online
You are in:

Fetishism and visual culture in Later Neolithic Southeast Italy.

Skeates, R. (2016) 'Fetishism and visual culture in Later Neolithic Southeast Italy.', Time and mind., 9 (4). pp. 335-352.


The term ‘fetish’ has been used since the sixteenth century to refer to indigenous ‘power objects’, perceived to embody positive supernatural energy. This concept is explored here with reference to the visual culture of the Later Neolithic in Southeast Italy (5800–4100 bc). During this period, many aspects of the material world were ascribed a greater visual significance, being modelled into more varied art-forms and highlighted by more innovative and elaborate decoration, ritual performances and special deposits. A culturally specific range of powerful bodily and abstract symbols unified and animated these material forms, to the extent that we can talk of a fetishistic way of seeing and visual culture. These may have been used strategically to highlight and strengthen social connections, distinctions and boundaries. Ultimately, these social dynamics related to tensions surrounding the final transition to a fully agricultural way of life in Neolithic Southeast Italy.

Item Type:Article
Full text:(AM) Accepted Manuscript
First Live Deposit - 05 January 2017
Download PDF
Publisher Web site:
Publisher statement:This is an Accepted Manuscript of an article published by Taylor & Francis Group in Time and mind on 04 Nov 2016, available online at:
Record Created:05 Jan 2017 10:14
Last Modified:06 May 2018 00:48

Social bookmarking: del.icio.usConnoteaBibSonomyCiteULikeFacebookTwitterExport: EndNote, Zotero | BibTex
Look up in GoogleScholar | Find in a UK Library