Jack Baker jack.baker@durham.ac.uk
PGR Student Doctor of Philosophy
“‘Music is feeling, then, not sound’: Rhyme in the Development of Wallace Stevens”
Baker, Jack
Authors
Abstract
Wallace Stevens sits uneasily in the modernist canon. Whereas the verse principles of T. S. Eliot and Ezra Pound – two obvious comparators – have become almost synonymous with the broader movement they did so much to shape, Stevens’s poetics are less easily defined. He appears more at ease with the legacies of Romanticism than do many of his peers, and less committed to the premise that radical poetic techniques are essential to the apprehension, and generation, of radical insights. Indeed, admirers and detractors alike have tended to emphasise his formal conservatism.
Citation
Baker, J. (2016). “‘Music is feeling, then, not sound’: Rhyme in the Development of Wallace Stevens”. The Cambridge Quarterly, 45(4), 299-322. https://doi.org/10.1093/camqtly/bfw022
Journal Article Type | Article |
---|---|
Online Publication Date | Dec 31, 2016 |
Publication Date | Dec 31, 2016 |
Deposit Date | Feb 13, 2017 |
Publicly Available Date | Dec 31, 2018 |
Journal | Cambridge Quarterly |
Print ISSN | 0008-199X |
Electronic ISSN | 1471-6836 |
Publisher | Oxford University Press |
Peer Reviewed | Peer Reviewed |
Volume | 45 |
Issue | 4 |
Pages | 299-322 |
DOI | https://doi.org/10.1093/camqtly/bfw022 |
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Copyright Statement
This is a pre-copyedited, author-produced PDF of an article accepted for publication in The Cambridge quarterly following peer review. The version of record Baker, Jack (2016) ''Music is feeling, then, not sound' : rhyme in the development of Wallace Stevens.', The Cambridge quarterly., 45 (4). pp. 299-322 is available online at: https://doi.org/10.1093/camqtly/bfw022
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