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The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art

Hodgson, D.; Pettitt, P.B.

The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art Thumbnail


Authors

D. Hodgson



Abstract

Archaeologists have struggled for more than a century to explain why the first representational art of the Upper Palaeolithic arose and the reason for its precocious naturalism. Thanks to new data from various sites across Europe and further afield, as well as crucial insights from visual science, we may now be on the brink of bringing some clarity to this issue. In this paper, we assert that the main precursors of the first figurative art consisted of hand prints/stencils (among the Neanderthals and early Homo sapiens) and a corpus of geometric marks as well as a hunting lifestyle and highly charged visual system for detecting animals in evocative environments. Unlike many foregoing arguments, the present one is falsifiable in that five critical, but verifiable, points are delineated.

Citation

Hodgson, D., & Pettitt, P. (2018). The Origins of Iconic Depictions: A Falsifiable Model Derived from the Visual Science of Palaeolithic Cave Art and World Rock Art. Cambridge Archaeological Journal, 28(4), 591-612. https://doi.org/10.1017/s0959774318000227

Journal Article Type Article
Acceptance Date Apr 3, 2018
Online Publication Date May 3, 2018
Publication Date Nov 1, 2018
Deposit Date Apr 25, 2018
Publicly Available Date May 16, 2018
Journal Cambridge Archaeological Journal
Print ISSN 0959-7743
Electronic ISSN 1474-0540
Publisher Cambridge University Press
Peer Reviewed Peer Reviewed
Volume 28
Issue 4
Pages 591-612
DOI https://doi.org/10.1017/s0959774318000227

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Copyright Statement
This article has been published in a revised form in Cambridge archaeological journal https://doi.org/10.1017/S0959774318000227. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. © McDonald Institute for Archaeological Research 2018.





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