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‘Whitely’: Race and Lyric Subjectivity in Clare Pollard’s Poetry

Chingonyi, Kayo

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Abstract

This essay analyses three poems from the oeuvre of contemporary English poet Clare Pollard: ‘The Heavy-Petting Zoo’, ‘The Skulls of Dalston’ and ‘Thinking of England’. It argues that while Pollard's poetry presents jarring, discomfiting depictions of race and racial encounter, their direct exposure of racist ideas and discourses, and their methods of intertwining these with ideas of structured, gendered and nationalistic oppression, create space for critique of prevailing discourses that disempower both white female subjects and those racialised as non-white. Applying the writing of Major Jackson, Richard Dyer and Yusef Komunyakaa, the essay aims to show that the poet's refusal to soft-pedal the prejudice of her speakers shows the insecurities at the heart of structural whiteness; the insecurities that have been used historically to justify racial separatism as a matter arising from biological fact, related to the natural order of things.

Citation

Chingonyi, K. (2020). ‘Whitely’: Race and Lyric Subjectivity in Clare Pollard’s Poetry. Wasafiri, 35(3), 43-47. https://doi.org/10.1080/02690055.2020.1760484

Journal Article Type Article
Online Publication Date Aug 28, 2020
Publication Date 2020
Deposit Date Sep 1, 2020
Publicly Available Date Feb 28, 2022
Journal Wasafiri
Print ISSN 0269-0055
Electronic ISSN 1747-1508
Publisher Taylor and Francis Group
Peer Reviewed Peer Reviewed
Volume 35
Issue 3
Pages 43-47
DOI https://doi.org/10.1080/02690055.2020.1760484

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