Kanno, M (2005) 'Aaron Cassidy : 'The crutch of memory' for solo violin.', UNSPECIFIED, Huddersfield Contemporary Music Festival.
The work is written in prescriptive ‘tabulature’ notation (which specifies the means of execution without identifying the resulting sound) for indeterminate stringed instrument. The work prioritises and foregrounds the physical, choreographic elements of musical performance, and the sonic surface is driven by physical states, the interface between the body of the player and the body of the instrument and physical gestures. The project is thus conceived in order: 1) to re-assess the function of notation, 2) to involve the performer and her decision-making process as part of the formulation of the work, and 3) to investigate the effect of allowing corporeal actions to be present as musical material in their own right (and not simply as means to an aural end). The project is closely linked to the article ‘Prescriptive Notation: Limits and Challenges’.
|Additional Information:||The performance was broadcast on BBC Radio 3 'Hear and Now' on 28th January 2006.|
|Full text:||Full text not available from this repository.|
|Publisher Web site:||UNSPECIFIED|
|Record Created:||21 Jun 2006|
|Last Modified:||08 Apr 2009 16:21|
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