Bartlett, R. (2003) 'Stravinsky's Russian origins.', in The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, pp. 3-18. Cambridge companions to music.
Stravinsky’s work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky’s achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of ‘Stravinsky and Us’ by Richard Taruskin.
|Item Type:||Book chapter|
|Keywords:||Russian, Modernist, Composer, Neoclassical.|
|Full text:||Full text not available from this repository.|
|Publisher Web site:||https://doi.org/10.1017/CCOL9780521663304.002|
|Record Created:||06 Jan 2009|
|Last Modified:||30 Nov 2017 15:04|
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