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Durham Research Online
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Number of items at this level: 17.

Dibble, J.C. (2010) 'Michele Esposito.', Dublin: Field Day Publications.

Dibble, J.C. and Behrendt, S. and Gardiner, A.T. and Crisafulli, C.M. and Bandiera, L. and Gonzalez, B. and Cardwell, R.A. and Phillips, W. and da Silva, J.B. and Irimia, M.A. and Schmid, S. and Engelberg, K. and Steyaert, K. and Prochazka, M. and Coghen, M. and Racz, I. and Polonsky, R. and Kostadinova, V. and Schoina, M. (2008) ''I pant for the music which is divine' : Shelley's poetry and the musical imagination.', in The reception of P.B. Shelley in Europe. London: Continuum Press, pp. 278-301.

Zon, B. M. (2007) 'Representing non-western music in nineteenth-century Britain.', Rochester ; New York: University of Rochester Press. Eastman studies in music.

Zon, B. M. (2007) '"Violent passions" and "inhuman excess" : simplicity and the representation of non-Western music in nineteenth-century British travel literature.', in Music and orientalism in the British Empire, 1780s–1940s : portrayal of the East. Aldershot: Ashgate, pp. 209-236.

Dibble, J. C. (2007) 'John Stainer : pioneer and reformer.', Woodbridge, England: Boydell & Brewer. Music in Britain, 1600-1900.

Zon, B. M. (2006) 'Disorienting race : humanizing the musical savage and the rise of British ethnomusicology.', Nineteenth-century music review., 3 (1). pp. 25-43.

Dibble, J. C. (2006) 'Musical trends and the western church : a collision of the 'ancient' and 'modern'.', in World Christianities, c.1815-c.1914. Cambridge: Cambridge University Press, pp. 121-135. Cambridge history of Christianity. (8).

Zon, B. M. (2006) 'From 'very acute and plausible' to 'curiously misinterpreted' : William Jones's 'On the musical modes of the Hindoos' (1792) and its reception in later treatises on Indian music.', in Romantic orientalism. London: Routledge, pp. 197-219.

Zon, B. M. (2005) 'Mahler's Liszt and the hermeneutics of chant.', Studia Musicologica Academiae Scientiarum Hungaricae., 46 (3-4). pp. 383-402.

Spitzer, M. (2005) 'Tovey's evolutionary metaphors.', Music analysis., 24 (3). pp. 437-469.

Sanders, A. (2004) 'Victorian romance : romance and mystery.', in A companion to romance : from classical to contemporary. Malden, MA: Blackwell, pp. 375-388.

Dibble, J. C. (2004) 'Elgar and his British contemporaries.', in Cambridge companion to Elgar. Cambridge: Cambridge University Press, pp. 15-23. Cambridge companions to music.

Sanders, A. (2003) 'Charles Dickens : authors in context.', Oxford: Oxford University Press. The world's classics.

Sanders, A. (2002) 'Charles Dickens, Dombey and Son.', London: Penguin Books. Penguin classics.

Dibble, J. C. (2002) 'Charles Villiers Stanford : man and musician.', Oxford: Oxford University Press, p. 535.

Zon, B. M. (2002) 'Creation/evolution : metaphoric syntheses in nineteenth and early twentieth-century music historiography in Britain.', in Nineteenth-century music : selected proceedings of the tenth international conference. Aldershot: Ashgate, pp. 314-331.

Sanders, A. (2001) 'Millais and literature.', in John Everett Millais : beyond the Pre-Raphaelite Brotherhood. New Haven; London: Yale University Press, pp. 69-93. Studies in British Art.

List was generated at Thu Apr 24 15:31:28 2014 BST.