Cookies

We use cookies to ensure that we give you the best experience on our website. By continuing to browse this repository, you give consent for essential cookies to be used. You can read more about our Privacy and Cookie Policy.


Durham Research Online
You are in:

Browse by Department

Up a level
Export as [feed] RSS 2.0 [feed] RSS 1.0 [feed] Atom
Group by: Authors | Item Type | No Grouping
Number of items at this level: 110.

Zuk, Patrick (2014) 'Nikolay Myaskovsky and the ‘regimentation’ of Soviet composition : a reassessment.', Journal of musicology., 31 (3). pp. 354-393.

Lightman, Bernard and Zon, Bennett (2014) 'Evolution and Victorian culture.', . Cambridge studies in nineteenth-century literature and culture.

Lightman, Bernard and Zon, Bennett (2014) 'Introduction.', in Evolution and Victorian culture. , pp. 1-16. Cambridge studies in nineteenth-century literature and culture.

Zon, Bennett (2014) 'The ‘non-Darwinian’ revolution and the great chain of musical being.', in Evolution and Victorian culture. , pp. 196-226. Cambridge studies in nineteenth-century literature and culture.

Zon, Bennett (2013) 'The music of non-Western nations and the evolution of British ethnomusicology.', in Cambridge history of world music. , pp. 298-318.

Zuk, Patrick (2013) 'The 'serial' works of A. J. Potter.', Working Paper. Durham Research Online (DRO), Durham.

Clayton, M. (2013) 'The time of music and the time of history.', Working Paper. Durham Research Online (DRO), Durham.

Zuk, Patrick (2013) 'Nikolay Myaskovsky and the 'Regimentation' of Soviet composition : towards a reassessment.', Working Paper. Durham Research Online (DRO), Durham.

Buttigieg, Lydia (2013) 'Carmelo Pace (1906-1993) : homage to the first modernist Maltese composer of the 20th century.', The Malta Independent on Sunday. .

Mills, Simon R.S. and Park, Sung-Hee (2013) 'A mysterious island in the digital age : echnology and musical life in Ulleungdo, South Korea.', Ethnomusicology forum., 22 (2). pp. 160-187.

Zon, Bennett (2013) 'Nineteenth-century Britain and musical representations of Asia.', Comparative studies on regional powers., 13 . pp. 47-57.

Mills, Simon R.S. (2013) 'A tune with many faces : European interpretations of Arirang.', in Arirang in Korean culture and beyond : Arirang from diverse perspectives. Seongnam : Academy of Korean Studies Press, pp. 257-274.

P.D., Manning (2013) 'Electronic and computer music (4th edition).', Oxford : Oxford University Press.

Buttigieg, Lydia (2013) 'Maestro Carmelo Pace (1906 - 1993) : a prolific twentieth-century composer, musician and music educator.', The educator., 1 . pp. 47-74.

Manning, P.D. (2012) 'The Oramics machine : from vision to reality.', Organised sound., 17 (2). pp. 137-147.

Mills, Simon R.S. (2012) 'Introduction.', Mortality : promoting the interdisciplinary study., 17 (2). pp. 89-91.

Mills, Simon R.S. (2012) 'Sounds to soothe the soul : music and bereavement in a traditional South Korean death ritual.', Mortality : promoting the interdisciplinary study of death and dying., 17 (2). pp. 145-157.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2012) 'The cultural study of music : a critical introduction ; 2nd edition.', London: Routledge.

Clayton, Martin (2012) 'What is entrainment ? definition and applications in musical research.', Empirical musicology review., 7 (1-2). pp. 49-56.

Mills, Simon R.S. (2012) 'Music in Korean Shaman Ritual.', in Rediscovering traditional Korean Performing Arts. Seoul: Korea Arts Management Service and Supported by Ministry of Culture, Sports and Tourism , pp. 39-45.

Mills, Simon R.S. (2011) 'The tale of the three young brothers : an analytical study of music and communal joy (hŭng) in Korean folk culture.', Music analysis., 29 (1-3). pp. 276-305.

Fatone, Gina A. and Clayton, Martin and Leante, Laura and Rahaim, Matt (2011) 'Imagery, melody and gesture in cross-cultural perspective.', in New perspectives on music and gesture. Farnham, Surrey: Ashgate, pp. 203-220. SEMPRE studies in the psychology of music.

Lucas, Glaura and Clayton, Martin and Leante, Laura (2011) 'Inter-group entrainment in Afro-Brazilian Congado ritual.', Empirical musicology review., 6 (2). pp. 75-102.

Clinch, J.D. (2011) ''Beauty springeth out of naught' : interpreting the church music of Herbert Howells.', British postgraduate musicology., 11 .

Kanno, M. and Hayden, S. (2011) 'Towards musical interaction : 'Schismatics' for e-violin and computer.', Proceedings of the International Computer Music Conference, ICMC 2011 Huddersfield, England.

Zuk, Patrick (2010) 'Translating national identity into music : representations of 'Traditional Ireland' in A. J. Potter's television opera Patrick.', Études irlandaises., 35 (2). pp. 81-97.

Dibble, J.C. (2010) 'Michele Esposito.', Dublin: Field Day Publications.

Cox, Gareth (2010) 'Seóirse Bodley.', Dublin: Field Day Publications ; Keough-Naughton Institute for Irish Studies. Field Day Music.

Mills, Simon R.S. (2010) 'Playful patterns of freedom : Hand Gong performance in Korean shaman ritual.', Musiké : International journal of ethnomusicological studies. . pp. 145-170.

Dahl, Sofia and Bevilacqua, Frederic and Bresin, Roberto and Clayton, Martin and Leante, Laura and Poggi, Isabella and Rasamimanana, Nicolas (2009) 'Gestures in performance.', in Musical gestures : sound, movement, and meaning. London: Routledge, pp. 36-68.

Clayton, Martin (2009) 'Crossing boundaries and bridging gaps : thoughts on relationships between ethnomusicology and music psychology.', Empirical musicology review., 4 (2). pp. 75-77.

Clayton, Martin (2009) 'Local practice, global network : the guitar in India as a case study.', in Theorizing the local : music, practice and experience in South Asia and beyond. New York: Oxford University Press , pp. 65-78.

Clayton, Martin (2009) 'The social and personal functions of music in cross-cultural perspective.', in The Oxford handbook of music psychology. Oxford: Oxford University Press, pp. 35-44.

Kanno, M. (2009) 'Cage's Freeman etudes : sounding out.', in MetaCage : essays on and around Freeman etudes, Fontana mix, Aria. Leuven: Leuven University Press, pp. 43-60. Collected writings of the Orpheus Institute. (2).

Zon, B. (2009) ''Loathsome London' : Ruskin, Morris, and Henry Davey's History of English Music (1895).', Victorian literature and culture., 37 (2). pp. 359-375.

Dibble, J.C. and Behrendt, S. and Gardiner, A.T. and Crisafulli, C.M. and Bandiera, L. and Gonzalez, B. and Cardwell, R.A. and Phillips, W. and da Silva, J.B. and Irimia, M.A. and Schmid, S. and Engelberg, K. and Steyaert, K. and Prochazka, M. and Coghen, M. and Racz, I. and Polonsky, R. and Kostadinova, V. and Schoina, M. (2008) ''I pant for the music which is divine' : Shelley's poetry and the musical imagination.', in The reception of P.B. Shelley in Europe. London: Continuum Press, pp. 278-301.

Manning, P.D. and Clarke, M. (2008) 'The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment.', Organised sound., 13 (3). pp. 177-187.

Clayton, Martin (2008) 'Toward an ethnomusicology of sound experience.', in The new (ethno)musicologies. Lanham, Maryland: Scarecrow Press , pp. 135-169. Europea: ethnomusicologies and modernities. (8).

Clayton, Martin (2008) 'Music, words, and voice : a reader.', Manchester: Manchester University Press.

Mills, Simon R.S. (2008) 'Tokkaekki Changdan : a musical goblin in east coast shaman ritual ?', in Mandan Yi Hyegu Paksa Paeksu Kinyom Nonmunjip : a collection of essays to commemorate the 100th Birthday of Scholar Yi Hyegu. Seoul: Minsokwon.

Zon, B. M. (2007) 'Representing non-western music in nineteenth-century Britain.', Rochester ; New York: University of Rochester Press. Eastman studies in music.

Clayton, Martin and Zon, Bennett (2007) 'Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East.', Aldershot: Ashgate. Music in nineteenth-century Britain.

Wishart, T. (2007) 'The division of labour.', PFAU, Deep Wireless Festival, Toronto, 2007.

Zon, B. M. (2007) '"Violent passions" and "inhuman excess" : simplicity and the representation of non-Western music in nineteenth-century British travel literature.', in Music and orientalism in the British Empire, 1780s–1940s : portrayal of the East. Aldershot: Ashgate, pp. 209-236.

Harry, M. (2007) ''Eingestellt' for electric string trio and distortion effects, Anna Nova Gallery, St Petersburg, Russia.', UNSPECIFIED, St Petersburg.

Clayton, Martin (2007) 'Observing entrainment in music performance : video-based observational analysis of Indian musicians’ tanpura playing and beat marking.', Musicae scientiae., 11 (1). pp. 27-59.

Fitch, F. J. and Heyde, N. (2007) ''"Recercar" : the collaborative process as invention.', Twentieth-century music., 4 (1). pp. 71-95.

Clayton, Martin (2007) 'Music, time and place : essays in comparative musicology.', Delhi: B.R.Rhythms.

Clayton, Martin (2007) 'Musical renaissance and its margins in England and India, 1874–1914.', in Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East. Aldershot: Ashgate, 71-93 . Music in nineteenth-century Britain.

Clayton, Martin (2007) 'Time, gesture and attention in a Khyal performance.', Asian music., 38 (2). pp. 71-96.

Dibble, J. C. (2007) 'John Stainer : pioneer and reformer.', Woodbridge, England: Boydell & Brewer. Music in Britain, 1600-1900.

Fitch, F. J. (2006) 'Agricologies.', Fretwork, South Bank Centre, London.

Spitzer, M. (2006) 'Music as philosophy : Adorno and Beethoven's late style.', Bloomington, Ind.: Indiana University Press, p. 328. Musical meaning and interpretation.

Zon, B. M. (2006) 'Disorienting race : humanizing the musical savage and the rise of British ethnomusicology.', Nineteenth-century music review., 3 (1). pp. 25-43.

Manning, P. D. (2006) 'The significance of techné in understanding the art and practice of electroacoustic composition.', Organised sound., 11 (1). pp. 81-90.

Harry, M. (2006) 'The enigma of arrival.', Northern Sinfonia, All Saints Church, Newcastle.

Fitch, F J. (2006) 'Agricola and the rhizome II : contrapuntal ramifications.', Trossinger Jahrbuch fur Renaissancemusik., 6 . pp. 19-58.

Dibble, J. C. (2006) 'Musical trends and the western church : a collision of the 'ancient' and 'modern'.', in World Christianities, c.1815-c.1914. Cambridge: Cambridge University Press, pp. 121-135. Cambridge history of Christianity. (8).

Spitzer, M. (2006) 'Meditations on Meyer's hobby horses : levels of motivation in musical signs.', Applied semiotics = Sémiotique appliquée., 2 (4). pp. 41-48.

Zon, B. M. (2006) 'From 'very acute and plausible' to 'curiously misinterpreted' : William Jones's 'On the musical modes of the Hindoos' (1792) and its reception in later treatises on Indian music.', in Romantic orientalism. London: Routledge, pp. 197-219.

Zuk, P. (2006) 'Raymond Deane.', Dublin: Field Day Books. Field Day music., 2

Harry M., (2005) 'Chamber Intimacy.', UNSPECIFIED, Warehouse, London.

Kanno, M (2005) 'Aaron Cassidy : 'The crutch of memory' for solo violin.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Zon, B. M. (2005) 'Mahler's Liszt and the hermeneutics of chant.', Studia Musicologica Academiae Scientiarum Hungaricae., 46 (3-4). pp. 383-402.

Spitzer, M. (2005) 'Tovey's evolutionary metaphors.', Music analysis., 24 (3). pp. 437-469.

Zuk, P. (2005) ''Our songs are our laws' : music and the Republic (Part 2).', The Republic : a journal of contemporary and historical debate., 4 . pp. 116-132.

Harry M., (2005) 'Restraint.', UNSPECIFIED, 'Here and Now' programme, BBC Radio 3.

Wishart, T. (2005) 'Memories of Madrid.', Centro del Conde Duque, Madrid.

Harry M., (2005) 'George Meets Arnie For Tennis.', The New Music Players, Royal Scottish Academy of Music and Drama, Glasgow.

Fitch, F. J. (2005) 'Agricola and the rhizome : an aesthetic of the late Cantus-Firmus mass.', Revue Belge de musicologie., 59 . pp. 65-92.

Clayton, Martin (2005) 'Communication in Indian raga performance.', in Musical communication. Oxford: Oxford University Press, pp. 361-381.

Clayton, Martin and Sager, Rebecca and Will, Udo (2005) 'In time with the music : the concept of entrainment and its significance for ethnomusicology.', European meetings in ethnomusicology., 11 (ESEM Counterpoint 1) . pp. 1-82.

Zuk, P. (2005) 'The composer and the problem of modern choral music.', in Cork International Choral Festival, 1954-2004 : a celebration. Cork: Glen House Press, pp. 320-329.

Paddison, M. (2004) 'Authenticity and failure in Adorno's aesthetics of music.', in The Cambridge companion to Adorno. Cambridge: Cambridge University Press, pp. 198-221. Cambridge companions to philosophy.

Wishart, T. (2004) 'Globalalia.', UNSPECIFIED, Inventionen Festival, Berlin , 6 June 2004; CCRMA, Stanford, 2006; Recombinant Media, San Franciso, 2006.

Paddison, M. (2004) 'Performance, reification, and score : the dialectics of spatialization and temporality in the experience of music.', Musicae scientiae., Discussion Forum 3 . pp. 157-179.

Manning, P. D. (2004) 'Electronic and computer music.', New York: Oxford University Press, p. 496.

Dibble, J. C. (2004) 'Elgar and his British contemporaries.', in Cambridge companion to Elgar. Cambridge: Cambridge University Press, pp. 15-23. Cambridge companions to music.

McCollum, J. and Nercessian, A. (2004) 'Armenian music : a comprehensive bibliography and discography.', London: Scarecrow Press, p. 256.

Nercessian, A. (2004) 'National identity, culture policy and the Soviet folk ensemble in Armenia.', in Soviet music and society under Lenin and Stalin : the baton and the sickle. London: RoutledgeCurzon, pp. 148-162. BASEES/Curzon Series on Russian & East European Studies.

Spitzer, M. (2004) 'Metaphor and musical thought.', Chicago: University of Chicago Press, p. 380.

Zuk, P. (2004) 'Words for music perhaps ? Irishness, criticism and the art tradition.', Irish studies review., 12 (1). pp. 11-29.

Manning, P. D. (2003) 'The influence of recording technologies on the early development of electroacoustic music.', Leonardo music journal., 13 . pp. 5-10.

Zuk, P. (2003) ''Our songs are our laws' : music and the Republic (part 1).', The Republic : a journal of contemporary and historical debate., 3 . pp. 113-131.

Fitch, F. J. (2003) 'Agricola versus Alamire : the lie of the sources.', in The Burgundian-Habsburg court complex of music manuscripts (1500-1535) and the workshop of Petrus Alamire : colloquium proceedings, 25-28 November 1999, Leuven. Leuven, Neerpelt: Alamire, pp. 299-308.

Kanno, M. (2003) 'Thoughts on how to play in tune : pitch and intonation.', Contemporary music review., 22 (1-2). pp. 35-52.

Spitzer, M. (2003) 'The metaphor of musical space.', Musicae scientiae., 1 (7). pp. 101-120.

Kanno, M (2003) 'Andrew Glover : the 'death of angels' for violin and orchestra.', BBC, BBC Maida Vale Studios.

Clayton, Martin (2003) 'Comparing music, comparing musicology.', in The cultural study of music : a critical introduction. New York: Routledge, pp. 57-68.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2003) 'The cultural study of music : a critical introduction.', New York: Routledge.

Paddison, M. (2003) 'Stravinsky as devil : Adorno's three critiques.', in The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, pp. 192-202. Cambridge companions to music.

Wishart, T. (2002) 'Imago.', UNSPECIFIED, Festsaal der Hochschule fur Musik, Weimar, 6 June 2002; Redcat Theatre Downtown, Los Angeles, 2004; Musica Viva Festival, Lisbon, 2005; CCRMA, Stanford, California, 2006; Recombinant Media, San Francisco, 2006.

Clayton, Martin (2002) 'Teaching Indian music at a distance : a perspective from the UK.', Journal of the Indian Musicological Society., 33 . pp. 36-41.

Paddison, Max. (2002) 'Music as ideal : the aesthetics of autonomy.', in The Cambridge history of nineteenth-century music. Cambridge: Cambridge University Press, pp. 318-342. The Cambridge history of music. (10.2277/0521590175).

Dibble, J. C. (2002) 'Charles Villiers Stanford : man and musician.', Oxford: Oxford University Press, p. 535.

Nercessian A., (2002) 'Postmodernism and globalization in ethnomusicology : an epistemological problem.', Lanham, Md.: Scarecrow Press, p. 150.

Zon, B. M. (2002) 'Creation/evolution : metaphoric syntheses in nineteenth and early twentieth-century music historiography in Britain.', in Nineteenth-century music : selected proceedings of the tenth international conference. Aldershot: Ashgate, pp. 314-331.

Paddison, M. (2001) 'Immanent critique or musical stocktaking ? Adorno and the problem of musical analysis.', in Adorno : a critical reader. Oxford: Blackwell, pp. 209-233. Blackwell critical reader.

Kanno, M. (2001) 'James Wood : 'Autumn Voices' for violin and live electronics.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Clayton, Martin (2001) 'Rock to Raga : the many lives of the Indian guitar.', in Guitar cultures. Oxford, UK: Berg , pp. 179-208.

Nercessian, A. (2001) 'The Duduk and national identity in Armenia.', Lanham, Md.: Scarecrow Press, p. 144.

Fitch, F. J. (2001) 'Restoring Ockeghem's Mort, tu as navre.', Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis., LI (1). pp. 3-24.

Manning, P. D. (2001) 'In Memoriam CPR.', N/A, BC SFU Concert Hall, 2001; Sonorities Festival, Belfast, 2001; Kitchener Festival, Ontario, 2001; Bourges 31st International Electroacoustic Music Festival, 2001; Music Without Walls Festival, Leicester, 2002; New Music Festival, Barcelona, 2005.

Clayton, Martin (2001) 'Introduction : towards a theory of musical meaning (in India and elsewhere).', British journal of ethnomusicology., 10 (1). pp. 1-17.

Clayton, Martin (2000) 'Time in Indian music : rhythm, metre and form in North Indian rag performance.', Oxford: Oxford University Press.

Clayton, Martin (1998) ''You can't fuse yourself' : contemporary British-Asian music and the musical expression of identity.', East European meetings in ethnomusicology., 5 . pp. 73-87.

Clayton, Martin (1997) 'Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh).', Cahiers de musiques traditionelles., 10 . pp. 169-189.

Clayton, Martin (1996) 'Free rhythm : ethnomusicology and the study of music without metre.', Bulletin of the School of Oriental and African Studies., 59 (2). pp. 323-332.

Clayton, Martin (1996) 'Ethnographic wax cylinders at the British Library National Sound Archive : a brief history and description of the collection.', British journal of ethnomusicology., 5 (1). pp. 67-92.

Clayton, Martin (1993) 'Two gat forms for the sitār : a case study in the rhythmic analysis of North Indian music.', British journal of ethnomusicology., 2 (1). pp. 75-98.

List was generated at Fri Jul 25 21:36:25 2014 BST.