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Article

Manning, P.D. (2012) 'The Oramics machine : from vision to reality.', Organised sound., 17 (2). pp. 137-147.

Clayton, Martin (2012) 'What is entrainment ? definition and applications in musical research.', Empirical musicology review., 7 (1-2). pp. 49-56.

Lucas, Glaura and Clayton, Martin and Leante, Laura (2011) 'Inter-group entrainment in Afro-Brazilian Congado ritual.', Empirical musicology review., 6 (2). pp. 75-102.

Clinch, J.D. (2011) ''Beauty springeth out of naught' : interpreting the church music of Herbert Howells.', British postgraduate musicology., 11 .

Zuk, Patrick (2010) 'Translating national identity into music : representations of 'Traditional Ireland' in A. J. Potter's television opera Patrick.', Études irlandaises, 35 (2). pp. 81-97.

Mills, Simon R.S. (2010) 'Playful patterns of freedom : Hand Gong performance in Korean shaman ritual.', Musiké : International journal of ethnomusicological studies. . pp. 145-170.

Clayton, Martin (2009) 'Crossing boundaries and bridging gaps : thoughts on relationships between ethnomusicology and music psychology.', Empirical musicology review., 4 (2). pp. 75-77.

Zon, B. (2009) ''Loathsome London' : Ruskin, Morris, and Henry Davey's History of English Music (1895).', Victorian literature and culture., 37 (2). pp. 359-375.

Manning, P.D. and Clarke, M. (2008) 'The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment.', Organised sound., 13 (3). pp. 177-187.

Clayton, Martin (2007) 'Observing entrainment in music performance : video-based observational analysis of Indian musicians’ tanpura playing and beat marking.', Musicae scientiae., 11 (1). pp. 27-59.

Fitch, F. J. and Heyde, N. (2007) ''"Recercar" : the collaborative process as invention.', Twentieth-century music., 4 (1). pp. 71-95.

Clayton, Martin (2007) 'Time, gesture and attention in a Khyal performance.', Asian music., 38 (2). pp. 71-96.

Zon, B. M. (2006) 'Disorienting race : humanizing the musical savage and the rise of British ethnomusicology.', Nineteenth-century music review., 3 (1). pp. 25-43.

Manning, P. D. (2006) 'The significance of techné in understanding the art and practice of electroacoustic composition.', Organised sound., 11 (1). pp. 81-90.

Fitch, F J. (2006) 'Agricola and the rhizome II : contrapuntal ramifications.', Trossinger Jahrbuch fur Renaissancemusik., 6 . pp. 19-58.

Spitzer, M. (2006) 'Meditations on Meyer's hobby horses : levels of motivation in musical signs.', Applied semiotics = Sémiotique appliquée., 2 (4). pp. 41-48.

Zon, B. M. (2005) 'Mahler's Liszt and the hermeneutics of chant.', Studia Musicologica Academiae Scientiarum Hungaricae., 46 (3-4). pp. 383-402.

Spitzer, M. (2005) 'Tovey's evolutionary metaphors.', Music analysis., 24 (3). pp. 437-469.

Zuk, P. (2005) ''Our songs are our laws' : music and the Republic (Part 2).', The Republic : a journal of contemporary and historical debate., 4 . pp. 116-132.

Fitch, F. J. (2005) 'Agricola and the rhizome : an aesthetic of the late Cantus-Firmus mass.', Revue Belge de musicologie., 59 . pp. 65-92.

Clayton, Martin and Sager, Rebecca and Will, Udo (2005) 'In time with the music : the concept of entrainment and its significance for ethnomusicology.', European meetings in ethnomusicology., 11 (ESEM Counterpoint 1) . pp. 1-82.

Paddison, M. (2004) 'Performance, reification, and score : the dialectics of spatialization and temporality in the experience of music.', Musicae scientiae., Discussion Forum 3 . pp. 157-179.

Zuk, P. (2004) 'Words for music perhaps ? Irishness, criticism and the art tradition.', Irish studies review., 12 (1). pp. 11-29.

Manning, P. D. (2003) 'The influence of recording technologies on the early development of electroacoustic music.', Leonardo music journal., 13 . pp. 5-10.

Zuk, P. (2003) ''Our songs are our laws' : music and the Republic (part 1).', The Republic : a journal of contemporary and historical debate., 3 . pp. 113-131.

Kanno, M. (2003) 'Thoughts on how to play in tune : pitch and intonation.', Contemporary music review., 22 (1-2). pp. 35-52.

Spitzer, M. (2003) 'The metaphor of musical space.', Musicae scientiae., 1 (7). pp. 101-120.

Clayton, Martin (2002) 'Teaching Indian music at a distance : a perspective from the UK.', Journal of the Indian Musicological Society., 33 . pp. 36-41.

Fitch, F. J. (2001) 'Restoring Ockeghem's Mort, tu as navre.', Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis., LI (1). pp. 3-24.

Clayton, Martin (2001) 'Introduction : towards a theory of musical meaning (in India and elsewhere).', British journal of ethnomusicology., 10 (1). pp. 1-17.

Clayton, Martin (1998) ''You can't fuse yourself' : contemporary British-Asian music and the musical expression of identity.', East European meetings in ethnomusicology., 5 . pp. 73-87.

Clayton, Martin (1997) 'Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh).', Cahiers de musiques traditionelles., 10 . pp. 169-189.

Clayton, Martin (1996) 'Free rhythm : ethnomusicology and the study of music without metre.', Bulletin of the School of Oriental and African Studies., 59 (2). pp. 323-332.

Clayton, Martin (1996) 'Ethnographic wax cylinders at the British Library National Sound Archive : a brief history and description of the collection.', British journal of ethnomusicology., 5 (1). pp. 67-92.

Clayton, Martin (1993) 'Two gat forms for the sitār : a case study in the rhythmic analysis of North Indian music.', British journal of ethnomusicology., 2 (1). pp. 75-98.

Book

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2012) 'The cultural study of music : a critical introduction ; 2nd edition.', London: Routledge.

Dibble, J.C. (2010) 'Michele Esposito.', Dublin: Field Day Publications.

Cox, Gareth (2010) 'Seóirse Bodley.', Dublin: Field Day Publications ; Keough-Naughton Institute for Irish Studies. Field Day Music.

Clayton, Martin (2008) 'Music, words, and voice : a reader.', Manchester: Manchester University Press.

Zon, B. M. (2007) 'Representing non-western music in nineteenth-century Britain.', Rochester ; New York: University of Rochester Press. Eastman studies in music.

Clayton, Martin and Zon, Bennett (2007) 'Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East.', Aldershot: Ashgate. Music in nineteenth-century Britain.

Clayton, Martin (2007) 'Music, time and place : essays in comparative musicology.', Delhi: B.R.Rhythms.

Dibble, J. C. (2007) 'John Stainer : pioneer and reformer.', Woodbridge, England: Boydell & Brewer. Music in Britain, 1600-1900.

Spitzer, M. (2006) 'Music as philosophy : Adorno and Beethoven's late style.', Bloomington, Ind.: Indiana University Press, p. 328. Musical meaning and interpretation.

Zuk, P. (2006) 'Raymond Deane.', Dublin: Field Day Books. Field Day music., 2

Manning, P. D. (2004) 'Electronic and computer music.', New York: Oxford University Press, p. 496.

McCollum, J. and Nercessian, A. (2004) 'Armenian music : a comprehensive bibliography and discography.', London: Scarecrow Press, p. 256.

Spitzer, M. (2004) 'Metaphor and musical thought.', Chicago: University of Chicago Press, p. 380.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2003) 'The cultural study of music : a critical introduction.', New York: Routledge.

Dibble, J. C. (2002) 'Charles Villiers Stanford : man and musician.', Oxford: Oxford University Press, p. 535.

Nercessian A., (2002) 'Postmodernism and globalization in ethnomusicology : an epistemological problem.', Lanham, Md.: Scarecrow Press, p. 150.

Nercessian, A. (2001) 'The Duduk and national identity in Armenia.', Lanham, Md.: Scarecrow Press, p. 144.

Clayton, Martin (2000) 'Time in Indian music : rhythm, metre and form in North Indian rag performance.', Oxford: Oxford University Press.

Book chapter

Fatone, Gina A. and Clayton, Martin and Leante, Laura and Rahaim, Matt (2011) 'Imagery, melody and gesture in cross-cultural perspective.', in New perspectives on music and gesture. Farnham, Surrey: Ashgate, pp. 203-220. SEMPRE studies in the psychology of music.

Dahl, Sofia and Bevilacqua, Frederic and Bresin, Roberto and Clayton, Martin and Leante, Laura and Poggi, Isabella and Rasamimanana, Nicolas (2009) 'Gestures in performance.', in Musical gestures : sound, movement, and meaning. London: Routledge, pp. 36-68.

Clayton, Martin (2009) 'Local practice, global network : the guitar in India as a case study.', in Theorizing the local : music, practice and experience in South Asia and beyond. New York: Oxford University Press , pp. 65-78.

Clayton, Martin (2009) 'The social and personal functions of music in cross-cultural perspective.', in The Oxford handbook of music psychology. Oxford: Oxford University Press, pp. 35-44.

Kanno, M. (2009) 'Cage's Freeman etudes : sounding out.', in MetaCage : essays on and around Freeman etudes, Fontana mix, Aria. Leuven: Leuven University Press, pp. 43-60. Collected writings of the Orpheus Institute. (2).

Dibble, J.C. and Behrendt, S. and Gardiner, A.T. and Crisafulli, C.M. and Bandiera, L. and Gonzalez, B. and Cardwell, R.A. and Phillips, W. and da Silva, J.B. and Irimia, M.A. and Schmid, S. and Engelberg, K. and Steyaert, K. and Prochazka, M. and Coghen, M. and Racz, I. and Polonsky, R. and Kostadinova, V. and Schoina, M. (2008) ''I pant for the music which is divine' : Shelley's poetry and the musical imagination.', in The reception of P.B. Shelley in Europe. London: Continuum Press, pp. 278-301.

Clayton, Martin (2008) 'Toward an ethnomusicology of sound experience.', in The new (ethno)musicologies. Lanham, Maryland: Scarecrow Press , pp. 135-169. Europea: ethnomusicologies and modernities. (8).

Zon, B. M. (2007) '"Violent passions" and "inhuman excess" : simplicity and the representation of non-Western music in nineteenth-century British travel literature.', in Music and orientalism in the British Empire, 1780s–1940s : portrayal of the East. Aldershot: Ashgate, pp. 209-236.

Clayton, Martin (2007) 'Musical renaissance and its margins in England and India, 1874–1914.', in Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East. Aldershot: Ashgate, 71-93 . Music in nineteenth-century Britain.

Dibble, J. C. (2006) 'Musical trends and the western church : a collision of the 'ancient' and 'modern'.', in World Christianities, c.1815-c.1914. Cambridge: Cambridge University Press, pp. 121-135. Cambridge history of Christianity. (8).

Zon, B. M. (2006) 'From 'very acute and plausible' to 'curiously misinterpreted' : William Jones's 'On the musical modes of the Hindoos' (1792) and its reception in later treatises on Indian music.', in Romantic orientalism. London: Routledge, pp. 197-219.

Clayton, Martin (2005) 'Communication in Indian raga performance.', in Musical communication. Oxford: Oxford University Press, pp. 361-381.

Zuk, P. (2005) 'The composer and the problem of modern choral music.', in Cork International Choral Festival, 1954-2004 : a celebration. Cork: Glen House Press, pp. 320-329.

Paddison, M. (2004) 'Authenticity and failure in Adorno's aesthetics of music.', in The Cambridge companion to Adorno. Cambridge: Cambridge University Press, pp. 198-221. Cambridge companions to philosophy.

Dibble, J. C. (2004) 'Elgar and his British contemporaries.', in Cambridge companion to Elgar. Cambridge: Cambridge University Press, pp. 15-23. Cambridge companions to music.

Nercessian, A. (2004) 'National identity, culture policy and the Soviet folk ensemble in Armenia.', in Soviet music and society under Lenin and Stalin : the baton and the sickle. London: RoutledgeCurzon, pp. 148-162. BASEES/Curzon Series on Russian & East European Studies.

Fitch, F. J. (2003) 'Agricola versus Alamire : the lie of the sources.', in The Burgundian-Habsburg court complex of music manuscripts (1500-1535) and the workshop of Petrus Alamire : colloquium proceedings, 25-28 November 1999, Leuven. Leuven, Neerpelt: Alamire, pp. 299-308.

Clayton, Martin (2003) 'Comparing music, comparing musicology.', in The cultural study of music : a critical introduction. New York: Routledge, pp. 57-68.

Paddison, M. (2003) 'Stravinsky as devil : Adorno's three critiques.', in The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, pp. 192-202. Cambridge companions to music.

Paddison, Max. (2002) 'Music as ideal : the aesthetics of autonomy.', in The Cambridge history of nineteenth-century music. Cambridge: Cambridge University Press, pp. 318-342. The Cambridge history of music. (10.2277/0521590175).

Zon, B. M. (2002) 'Creation/evolution : metaphoric syntheses in nineteenth and early twentieth-century music historiography in Britain.', in Nineteenth-century music : selected proceedings of the tenth international conference. Aldershot: Ashgate, pp. 314-331.

Paddison, M. (2001) 'Immanent critique or musical stocktaking ? Adorno and the problem of musical analysis.', in Adorno : a critical reader. Oxford: Blackwell, pp. 209-233. Blackwell critical reader.

Clayton, Martin (2001) 'Rock to Raga : the many lives of the Indian guitar.', in Guitar cultures. Oxford, UK: Berg , pp. 179-208.

Conference item

Kanno, M. and Hayden, S. (2011) 'Towards musical interaction : 'Schismatics' for e-violin and computer.', Proceedings of the International Computer Music Conference, ICMC 2011 Huddersfield, England.

Other

Wishart, T. (2007) 'The division of labour.', PFAU, Deep Wireless Festival, Toronto, 2007.

Harry, M. (2007) ''Eingestellt' for electric string trio and distortion effects, Anna Nova Gallery, St Petersburg, Russia.', UNSPECIFIED, St Petersburg.

Fitch, F. J. (2006) 'Agricologies.', Fretwork, South Bank Centre, London.

Harry, M. (2006) 'The enigma of arrival.', Northern Sinfonia, All Saints Church, Newcastle.

Harry M., (2005) 'Chamber Intimacy.', UNSPECIFIED, Warehouse, London.

Kanno, M (2005) 'Aaron Cassidy : 'The crutch of memory' for solo violin.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Harry M., (2005) 'Restraint.', UNSPECIFIED, 'Here and Now' programme, BBC Radio 3.

Wishart, T. (2005) 'Memories of Madrid.', Centro del Conde Duque, Madrid.

Harry M., (2005) 'George Meets Arnie For Tennis.', The New Music Players, Royal Scottish Academy of Music and Drama, Glasgow.

Wishart, T. (2004) 'Globalalia.', UNSPECIFIED, Inventionen Festival, Berlin , 6 June 2004; CCRMA, Stanford, 2006; Recombinant Media, San Franciso, 2006.

Kanno, M (2003) 'Andrew Glover : the 'death of angels' for violin and orchestra.', BBC, BBC Maida Vale Studios.

Wishart, T. (2002) 'Imago.', UNSPECIFIED, Festsaal der Hochschule fur Musik, Weimar, 6 June 2002; Redcat Theatre Downtown, Los Angeles, 2004; Musica Viva Festival, Lisbon, 2005; CCRMA, Stanford, California, 2006; Recombinant Media, San Francisco, 2006.

Kanno, M. (2001) 'James Wood : 'Autumn Voices' for violin and live electronics.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Manning, P. D. (2001) 'In Memoriam CPR.', N/A, BC SFU Concert Hall, 2001; Sonorities Festival, Belfast, 2001; Kitchener Festival, Ontario, 2001; Bourges 31st International Electroacoustic Music Festival, 2001; Music Without Walls Festival, Leicester, 2002; New Music Festival, Barcelona, 2005.

List was generated at Sat May 25 02:02:45 2013 BST.