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Number of items at this level: 155.


Zon, Bennett (2016) 'Anthropology, theology, and the simplicity of Benedict XVI's Chant.', Logos: a journal of Catholic thought and culture., 19 (1). pp. 15-40.

Dibble, Jeremy (2016) 'Hamilton Harty's Ode to a Nightingale : a confluence of Wagner and Elgar.', Journal of the Society of Musicology in Ireland., 11 .

Hausmann, M. and Hodgetts, S. and Eerola, T. (2016) 'Music-induced changes in functional cerebral asymmetries.', Brain and cognition., 104 . pp. 58-71.

Evans, H. M. (2016) 'Medicine, the body and an invitation to wonder.', Medical humanities. .

Collins, Nick (2016) 'Live coding and teaching SuperCollider.', Journal of music, technology and education., 9 (1).

Peltola, H. and Eerola, T. (2016) 'Fifty shades of blue : classification of music-evoked sadness.', Musicae scientiae., 20 (1). pp. 84-102.

Brattico, E. and Bogert, B. and Alluri, V. and Tervaniemi, M. and Eerola, T. and Jacobsen, T. (2016) 'It’s sad but I like it : the neural dissociation between musical emotions and liking in experts and laypersons.', Frontiers in human neuroscience., 9 . p. 676.

Clayton, Martin (2016) 'Aksak patterns and entrained interaction in Transylvanian village music.', Empirical musicology review., 10 (4). pp. 292-301.

Lahdelma, I. and Eerola, T. (2016) 'Single chords convey distinct emotional qualities to both naïve and expert listeners.', Psychology of music., 44 (1). pp. 37-54.

Lahdelma, I. and Eerola, T. (2015) 'Theoretical proposals how vertical harmony may convey nostalgia and longing in music.', Empirical musicology review., 10 (3). pp. 245-263.

Clayton, Martin and Leante, Laura (2015) 'Role, status and hierarchy in the performance of North Indian classical music.', Ethnomusicology forum., 24 (3). pp. 414-442.

Juslin, P. N. and Barradas, G. and Eerola, T. (2015) 'From sound to significance : exploring the mechanisms underlying emotional reactions to music.', American journal of psychology., 128 (3). pp. 281-304.

Pearson, Lara (2015) 'Coarticulation and gesture : an analysis of melodic movement in South Indian raga performance.', Music analysis. .

Alborno, Paolo and Clayton, Martin and Keller, Peter and Volpe, Gualtiero and Camurri, Antonio (2015) 'Automated video analysis of interpersonal entrainment in Indian music performance.', EAI endorsed transactions on future intelligent educational environments., 15 (4). e3.

Saari, Pasi and Fazekas, Gyorgy and Eerola, Tuomas and Barthet, Mathieu and Lartillot, Olivier and Sandler, Mark (2015) 'Genre-adaptive semantic computing and audio-based modelling for music mood annotation.', IEEE transactions on affective computing. .

Eerola, T. and Peltola, H.-R. and Vuoskoski, J. K. (2015) 'Attitudes toward sad music are related to both preferential and contextual strategies.', Psychomusicology : music, mind, and brain., 25 (2). pp. 116-123.

Barker, Thomas P. (2015) 'Spatial dialectics : intimations of freedom in antebellum slave song.', Journal of black studies., 46 (4). pp. 363-383.

Dibble, Jeremy (2015) 'War, impression, sound, and memory : British music and the First World War.', German Historical Institute London bulletin., 37 (1). pp. 43-56.

Collins, Nick (2015) 'The Ubuweb electronic music corpus : an MIR investigation of a historical database.', Organised sound., 20 (1). pp. 122-134.

Will, Udo and Clayton, Martin and Wertheim, Ira and Leante, Laura and Berg, Eric (2015) 'Pulse and entrainment to non-isochronous auditory stimuli : the case of North Indian Alap.', PLoS ONE., 10 (4). e0123247.

Evans, H. M. (2015) 'Wonder and the patient.', Journal of medical humanities., 36 (1). pp. 47-58.

Saari, P. and Eerola, T. (2014) 'Semantic computing of moods based on tags in social media of music.', IEEE transactions on knowledge and data engineering., 26 (10). pp. 2548-2560.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2014) 'From technological investigation and software emulation to music analysis : an integrated approach to Barry Truax's Riverrun.', Proceedings of the 2014 international computer music conference. Music technology meets philosophy : from digital echos to virtual ethos, 14-20 September, Athens, Greece., 2014 . pp. 201-208.

Zuk, Patrick (2014) 'Nikolay Myaskovsky and the ‘regimentation’ of Soviet composition : a reassessment.', Journal of musicology., 31 (3). pp. 354-393.

Buttigieg, Lydia (2013) 'Carmelo Pace (1906-1993) : homage to the first modernist Maltese composer of the 20th century.', The Malta Independent on Sunday. .

Mills, Simon R.S. and Park, Sung-Hee (2013) 'A mysterious island in the digital age : technology and musical life in Ulleungdo, South Korea.', Ethnomusicology forum., 22 (2). pp. 160-187.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2013) 'Introducing TaCEM and the TIAALS software.', Proceedings of the 2013 international computer music conference. International developments in electroacoustics, 11-17 August, Perth, Australia., 2013 . pp. 47-53.

Eerola, T. and Friberg, A. and Bresin, R. (2013) 'Emotional expression in music : contribution, linearity, and additivity of primary musical cues.', Frontiers in psychology., 4 . p. 487.

Clarke, Michael and Dufeu, Frédéric and Manning, Peter (2013) 'TIAALS : a new generic set of tools for the interactive aural analysis of electroacoustic music.', Electroacoustic music in the context of interactive approaches and networks, EMS 2013, 17-21 June, Lisbon, Portugal ; proceedings. .

Zon, Bennett (2013) 'Nineteenth-century Britain and musical representations of Asia.', Comparative studies on regional powers., 13 . pp. 47-57.

Clinch, J. D. (2013) 'Herbert Howells's organ works? Critical reception, performance practice and the case for reappraisal.', BIOS journal / British Institute of Organ Studies and English Organ Archive., 37 . pp. 127-138.

Pearson, Lara (2013) 'Gesture and the sonic event in Karnatak music.', Empirical musicology review., 8 (1). pp. 2-14.

Buttigieg, Lydia (2013) 'Maestro Carmelo Pace (1906 - 1993) : a prolific twentieth-century composer, musician and music educator.', The educator., 1 . pp. 47-74.

Manning, P.D. (2012) 'The Oramics machine : from vision to reality.', Organised sound., 17 (2). pp. 137-147.

Clayton, Martin (2012) 'What is entrainment? Definition and applications in musical research.', Empirical musicology review., 7 (1-2). pp. 49-56.

Mills, Simon R.S. (2012) 'Introduction.', Mortality : promoting the interdisciplinary study., 17 (2). pp. 89-91.

Mills, Simon R.S. (2012) 'Sounds to soothe the soul : music and bereavement in a traditional South Korean death ritual.', Mortality : promoting the interdisciplinary study of death and dying., 17 (2). pp. 145-157.

Ferrer, R. and Eerola, T. (2011) 'Semantic structures of timbre emerging from social and acoustic descriptions of music.', EURASIP journal on audio, speech, and music processing., 2011 . p. 11.

Mills, Simon R.S. (2011) 'The tale of the three young brothers : an analytical study of music and communal joy (hŭng) in Korean folk culture.', Music analysis., 29 (1-3). pp. 276-305.

Lucas, Glaura and Clayton, Martin and Leante, Laura (2011) 'Inter-group entrainment in Afro-Brazilian Congado ritual.', Empirical musicology review., 6 (2). pp. 75-102.

Clinch, J.D. (2011) ''Beauty springeth out of naught' : interpreting the church music of Herbert Howells.', British postgraduate musicology., 11 .

Zuk, Patrick (2010) 'Translating national identity into music : representations of 'Traditional Ireland' in A. J. Potter's television opera Patrick.', Études irlandaises., 35 (2). pp. 81-97.

Leante, Laura (2010) 'Contesti e pratiche di performance del bhangra in Punjab e nella diaspora.', MOLIMO : Quaderni di Antropologia culturale ed Etnomusicologia., 5 . pp. 141-160.

Mills, Simon R.S. (2010) 'Playful patterns of freedom : Hand Gong performance in Korean shaman ritual.', Musiké : International journal of ethnomusicological studies. . pp. 145-170.

Leante, Laura (2009) 'The lotus and the king : imagery, gesture and meaning in a Hindustani rāg.', Ethnomusicology forum., 18 (2). pp. 185-206.

Clayton, Martin (2009) 'Crossing boundaries and bridging gaps : thoughts on relationships between ethnomusicology and music psychology.', Empirical musicology review., 4 (2). pp. 75-77.

Zon, B. (2009) ''Loathsome London' : Ruskin, Morris, and Henry Davey's History of English Music (1895).', Victorian literature and culture., 37 (2). pp. 359-375.

Manning, P.D. and Clarke, M. (2008) 'The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment.', Organised sound., 13 (3). pp. 177-187.

Clayton, Martin (2007) 'Observing entrainment in music performance : video-based observational analysis of Indian musicians’ tanpura playing and beat marking.', Musicae scientiae., 11 (1). pp. 27-59.

Fitch, F. J. and Heyde, N. (2007) ''"Recercar" : the collaborative process as invention.', Twentieth-century music., 4 (1). pp. 71-95.

Clayton, Martin (2007) 'Time, gesture and attention in a Khyal performance.', Asian music., 38 (2). pp. 71-96.

Zon, B. M. (2006) 'Disorienting race : humanizing the musical savage and the rise of British ethnomusicology.', Nineteenth-century music review., 3 (1). pp. 25-43.

Manning, P. D. (2006) 'The significance of techné in understanding the art and practice of electroacoustic composition.', Organised sound., 11 (1). pp. 81-90.

Fitch, F J. (2006) 'Agricola and the rhizome II : contrapuntal ramifications.', Trossinger Jahrbuch fur Renaissancemusik., 6 . pp. 19-58.

Spitzer, M. (2006) 'Meditations on Meyer's hobby horses : levels of motivation in musical signs.', Applied semiotics = Sémiotique appliquée., 2 (4). pp. 41-48.

Zon, B. M. (2005) 'Mahler's Liszt and the hermeneutics of chant.', Studia Musicologica Academiae Scientiarum Hungaricae., 46 (3-4). pp. 383-402.

Spitzer, M. (2005) 'Tovey's evolutionary metaphors.', Music analysis., 24 (3). pp. 437-469.

Zuk, P. (2005) ''Our songs are our laws' : music and the Republic (Part 2).', The Republic : a journal of contemporary and historical debate., 4 . pp. 116-132.

Fitch, F. J. (2005) 'Agricola and the rhizome : an aesthetic of the late Cantus-Firmus mass.', Revue Belge de musicologie., 59 . pp. 65-92.

Clayton, Martin and Sager, Rebecca and Will, Udo (2005) 'In time with the music : the concept of entrainment and its significance for ethnomusicology.', European meetings in ethnomusicology., 11 (ESEM Counterpoint 1) . pp. 1-82.

Paddison, M. (2004) 'Performance, reification, and score : the dialectics of spatialization and temporality in the experience of music.', Musicae scientiae., Discussion Forum 3 . pp. 157-179.

Zuk, P. (2004) 'Words for music perhaps ? Irishness, criticism and the art tradition.', Irish studies review., 12 (1). pp. 11-29.

Manning, P. D. (2003) 'The influence of recording technologies on the early development of electroacoustic music.', Leonardo music journal., 13 . pp. 5-10.

Zuk, P. (2003) ''Our songs are our laws' : music and the Republic (part 1).', The Republic : a journal of contemporary and historical debate., 3 . pp. 113-131.

Kanno, M. (2003) 'Thoughts on how to play in tune : pitch and intonation.', Contemporary music review., 22 (1-2). pp. 35-52.

Spitzer, M. (2003) 'The metaphor of musical space.', Musicae scientiae., 1 (7). pp. 101-120.

Clayton, Martin (2002) 'Teaching Indian music at a distance : a perspective from the UK.', Journal of the Indian Musicological Society., 33 . pp. 36-41.

Fitch, F. J. (2001) 'Restoring Ockeghem's Mort, tu as navre.', Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis., LI (1). pp. 3-24.

Clayton, Martin (2001) 'Introduction : towards a theory of musical meaning (in India and elsewhere).', British journal of ethnomusicology., 10 (1). pp. 1-17.

Clayton, Martin (1998) ''You can't fuse yourself' : contemporary British-Asian music and the musical expression of identity.', East European meetings in ethnomusicology., 5 . pp. 73-87.

Clayton, Martin (1997) 'Le metre et le tal dans la musique de l'Inde du Nord. (translated by Georges Goormaghtigh).', Cahiers de musiques traditionelles., 10 . pp. 169-189.

Clayton, Martin (1996) 'Free rhythm : ethnomusicology and the study of music without metre.', Bulletin of the School of Oriental and African Studies., 59 (2). pp. 323-332.

Clayton, Martin (1996) 'Ethnographic wax cylinders at the British Library National Sound Archive : a brief history and description of the collection.', British journal of ethnomusicology., 5 (1). pp. 67-92.

Clayton, Martin (1993) 'Two gat forms for the sitār : a case study in the rhythmic analysis of North Indian music.', British journal of ethnomusicology., 2 (1). pp. 75-98.


Lightman, Bernard and Zon, Bennett (2014) 'Evolution and Victorian culture.', . Cambridge studies in nineteenth-century literature and culture.

P.D., Manning (2013) 'Electronic and computer music (4th edition).', Oxford : Oxford University Press.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2012) 'The cultural study of music : a critical introduction ; 2nd edition.', London: Routledge.

Dibble, J.C. (2010) 'Michele Esposito.', Dublin: Field Day Publications.

Cox, Gareth (2010) 'Seóirse Bodley.', Dublin: Field Day Publications ; Keough-Naughton Institute for Irish Studies. Field Day Music.

Clayton, Martin (2008) 'Music, words, and voice : a reader.', Manchester: Manchester University Press.

Zon, B. M. (2007) 'Representing non-western music in nineteenth-century Britain.', Rochester ; New York: University of Rochester Press. Eastman studies in music.

Clayton, Martin and Zon, Bennett (2007) 'Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East.', Aldershot: Ashgate. Music in nineteenth-century Britain.

Clayton, Martin (2007) 'Music, time and place : essays in comparative musicology.', Delhi: B.R.Rhythms.

Dibble, J. C. (2007) 'John Stainer : pioneer and reformer.', Woodbridge, England: Boydell & Brewer. Music in Britain, 1600-1900.

Spitzer, M. (2006) 'Music as philosophy : Adorno and Beethoven's late style.', Bloomington, Ind.: Indiana University Press, p. 328. Musical meaning and interpretation.

Zuk, P. (2006) 'Raymond Deane.', Dublin: Field Day Books. Field Day music., 2

Manning, P. D. (2004) 'Electronic and computer music.', New York: Oxford University Press, p. 496.

McCollum, J. and Nercessian, A. (2004) 'Armenian music : a comprehensive bibliography and discography.', London: Scarecrow Press, p. 256.

Spitzer, M. (2004) 'Metaphor and musical thought.', Chicago: University of Chicago Press, p. 380.

Clayton, Martin and Herbert, Trevor and Middleton, Richard (2003) 'The cultural study of music : a critical introduction.', New York: Routledge.

Dibble, J. C. (2002) 'Charles Villiers Stanford : man and musician.', Oxford: Oxford University Press, p. 535.

Nercessian A., (2002) 'Postmodernism and globalization in ethnomusicology : an epistemological problem.', Lanham, Md.: Scarecrow Press, p. 150.

Nercessian, A. (2001) 'The Duduk and national identity in Armenia.', Lanham, Md.: Scarecrow Press, p. 144.

Clayton, Martin (2000) 'Time in Indian music : rhythm, metre and form in North Indian rag performance.', Oxford: Oxford University Press.

Book chapter

Mills, Simon R.S. (2015) ''Local heroes' : re-establishing drums and gongs in Ulleungdo’s musical life.', in Han’guk ŭmakhak-ŭi chip’yŏng : Hwang Chunyŏn kyosu chŏngnyŏn t’woeim kinyŏm = Musicology in Korea : a commemorative retirement collection for Professor Hwang Chunyŏn. Seoul, Korea: Minsokwon, pp. 419-430.

Eerola, T. (2014) 'Complexity.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 227-229.

Eerola, T. (2014) 'Database studies.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 316-319.

Eerola, T. (2014) 'Melody processing.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 684-687.

Eerola, T. (2014) 'Similarity, melodic.', in Music in the social and behavioral sciences : an encyclopedia. , pp. 1003-1006.

Lightman, Bernard and Zon, Bennett (2014) 'Introduction.', in Evolution and Victorian culture. , pp. 1-16. Cambridge studies in nineteenth-century literature and culture.

Zon, Bennett (2014) 'The ‘non-Darwinian’ revolution and the great chain of musical being.', in Evolution and Victorian culture. , pp. 196-226. Cambridge studies in nineteenth-century literature and culture.

Eerola, T. (2014) 'Modelling emotions in music : advances in conceptual, contextual and validity issues.', in Audio Engineering Society conference : 53rd AES International Conference : semantic audio, 27-29 January 2014, London, UK ; proceedings. , S1-1.

Leante, Laura (2014) 'Gesture and imagery in music performance : perspectives from North Indian classical music.', in The Routledge companion to music and visual culture. New York: Routledge, pp. 145-152. Routledge companions.

Zon, Bennett (2013) 'The music of non-Western nations and the evolution of British ethnomusicology.', in Cambridge history of world music. , pp. 298-318.

Clayton, Martin and Leante, Laura (2013) 'Embodiment in music performance.', in Experience and meaning in music performance. , pp. 188-207.

Leante, Laura (2013) 'Imagery, movement and listeners’ construction of meaning in North Indian classical music.', in Experience and meaning in music performance. Oxford : Oxford University Press, pp. 161-187.

Eerola, T. (2013) 'Modelling emotional effects of music : key areas of improvement.', in Proceedings of SMC 2013 : 10th Sound and Music Computing Conference, July 30 - August 2, 2013, KTH Royal Institute of Technology, Stockholm, Sweden. Berlin: Logos Verlag Berlin, pp. 269-276.

Mills, Simon R.S. (2013) 'A tune with many faces : European interpretations of Arirang.', in Arirang in Korean culture and beyond : Arirang from diverse perspectives. Seongnam : Academy of Korean Studies Press, pp. 257-274.

Evans, M. (2013) 'Open futures, human finitude.', in Medical humanities companion : prognosis. London: Radcliffe Publishing, pp. 105-120.

Evans, M. (2013) 'Wonderful treatment.', in Medical humanities companion : treatment. London: Radcliffe Publishing, pp. 17-32.

Mills, Simon R.S. (2012) 'Music in Korean shaman ritual.', in Rediscovering traditional Korean performing arts. Seoul: Korea Arts Management Service, pp. 39-45.

Fatone, Gina A. and Clayton, Martin and Leante, Laura and Rahaim, Matt (2011) 'Imagery, melody and gesture in cross-cultural perspective.', in New perspectives on music and gesture. Farnham, Surrey: Ashgate, pp. 203-220. SEMPRE studies in the psychology of music.

Dahl, Sofia and Bevilacqua, Frederic and Bresin, Roberto and Clayton, Martin and Leante, Laura and Poggi, Isabella and Rasamimanana, Nicolas (2009) 'Gestures in performance.', in Musical gestures : sound, movement, and meaning. London: Routledge, pp. 36-68.

Leante, Laura (2009) 'Urban Myth : bhangra and the dhol craze in the UK.', in Music in motion : diversity and dialogue in Europe. Bielefeld: Transcript Verlag, pp. 191-207.

Clayton, Martin (2009) 'Local practice, global network : the guitar in India as a case study.', in Theorizing the local : music, practice and experience in South Asia and beyond. New York: Oxford University Press , pp. 65-78.

Clayton, Martin (2009) 'The social and personal functions of music in cross-cultural perspective.', in The Oxford handbook of music psychology. Oxford: Oxford University Press, pp. 35-44.

Kanno, M. (2009) 'Cage's Freeman etudes : sounding out.', in MetaCage : essays on and around Freeman etudes, Fontana mix, Aria. Leuven: Leuven University Press, pp. 43-60. Collected writings of the Orpheus Institute. (2).

Dibble, J.C. and Behrendt, S. and Gardiner, A.T. and Crisafulli, C.M. and Bandiera, L. and Gonzalez, B. and Cardwell, R.A. and Phillips, W. and da Silva, J.B. and Irimia, M.A. and Schmid, S. and Engelberg, K. and Steyaert, K. and Prochazka, M. and Coghen, M. and Racz, I. and Polonsky, R. and Kostadinova, V. and Schoina, M. (2008) ''I pant for the music which is divine' : Shelley's poetry and the musical imagination.', in The reception of P.B. Shelley in Europe. London: Continuum Press, pp. 278-301.

Clayton, Martin (2008) 'Toward an ethnomusicology of sound experience.', in The new (ethno)musicologies. Lanham, Maryland: Scarecrow Press , pp. 135-169. Europea: ethnomusicologies and modernities. (8).

Mills, Simon R.S. (2008) 'Tokkaekki Changdan : a musical goblin in east coast shaman ritual?', in Mandan Yi Hyegu Paksa Paeksu Kinyom Nonmunjip : a collection of essays to commemorate the 100th Birthday of Scholar Yi Hyegu. Seoul: Minsokwon.

Zon, B. M. (2007) '"Violent passions" and "inhuman excess" : simplicity and the representation of non-Western music in nineteenth-century British travel literature.', in Music and orientalism in the British Empire, 1780s–1940s : portrayal of the East. Aldershot: Ashgate, pp. 209-236.

Clayton, Martin (2007) 'Musical renaissance and its margins in England and India, 1874–1914.', in Music and orientalism in the British Empire, 1780s to 1940s : portrayal of the East. Aldershot: Ashgate, 71-93 . Music in nineteenth-century Britain.

Dibble, J. C. (2006) 'Musical trends and the western church : a collision of the 'ancient' and 'modern'.', in World Christianities, c.1815-c.1914. Cambridge: Cambridge University Press, pp. 121-135. Cambridge history of Christianity. (8).

Zon, B. M. (2006) 'From 'very acute and plausible' to 'curiously misinterpreted' : William Jones's 'On the musical modes of the Hindoos' (1792) and its reception in later treatises on Indian music.', in Romantic orientalism. London: Routledge, pp. 197-219.

Clayton, Martin (2005) 'Communication in Indian raga performance.', in Musical communication. Oxford: Oxford University Press, pp. 361-381.

Zuk, P. (2005) 'The composer and the problem of modern choral music.', in Cork International Choral Festival, 1954-2004 : a celebration. Cork: Glen House Press, pp. 320-329.

Paddison, M. (2004) 'Authenticity and failure in Adorno's aesthetics of music.', in The Cambridge companion to Adorno. Cambridge: Cambridge University Press, pp. 198-221. Cambridge companions to philosophy.

Dibble, J. C. (2004) 'Elgar and his British contemporaries.', in Cambridge companion to Elgar. Cambridge: Cambridge University Press, pp. 15-23. Cambridge companions to music.

Nercessian, A. (2004) 'National identity, culture policy and the Soviet folk ensemble in Armenia.', in Soviet music and society under Lenin and Stalin : the baton and the sickle. London: RoutledgeCurzon, pp. 148-162. BASEES/Curzon Series on Russian & East European Studies.

Fitch, F. J. (2003) 'Agricola versus Alamire : the lie of the sources.', in The Burgundian-Habsburg court complex of music manuscripts (1500-1535) and the workshop of Petrus Alamire : colloquium proceedings, 25-28 November 1999, Leuven. Leuven, Neerpelt: Alamire, pp. 299-308.

Clayton, Martin (2003) 'Comparing music, comparing musicology.', in The cultural study of music : a critical introduction. New York: Routledge, pp. 57-68.

Paddison, M. (2003) 'Stravinsky as devil : Adorno's three critiques.', in The Cambridge companion to Stravinsky. Cambridge: Cambridge University Press, pp. 192-202. Cambridge companions to music.

Paddison, Max. (2002) 'Music as ideal : the aesthetics of autonomy.', in The Cambridge history of nineteenth-century music. Cambridge: Cambridge University Press, pp. 318-342. The Cambridge history of music. (10.2277/0521590175).

Zon, B. M. (2002) 'Creation/evolution : metaphoric syntheses in nineteenth and early twentieth-century music historiography in Britain.', in Nineteenth-century music : selected proceedings of the tenth international conference. Aldershot: Ashgate, pp. 314-331.

Paddison, M. (2001) 'Immanent critique or musical stocktaking ? Adorno and the problem of musical analysis.', in Adorno : a critical reader. Oxford: Blackwell, pp. 209-233. Blackwell critical reader.

Clayton, Martin (2001) 'Rock to Raga : the many lives of the Indian guitar.', in Guitar cultures. Oxford, UK: Berg , pp. 179-208.

Conference item

Kanno, M. and Hayden, S. (2011) 'Towards musical interaction : 'Schismatics' for e-violin and computer.', Proceedings of the International Computer Music Conference, ICMC 2011 Huddersfield, England.


Zuk, Patrick (2013) 'The 'serial' works of A. J. Potter.', Working Paper. Durham Research Online (DRO), Durham.

Clayton, M. (2013) 'The time of music and the time of history.', Working Paper. Durham Research Online (DRO), Durham.

Zuk, Patrick (2013) 'Nikolay Myaskovsky and the 'Regimentation' of Soviet composition : towards a reassessment.', Working Paper. Durham Research Online (DRO), Durham.


Rijnvos, Richard (2012) 'Antarctique - seventh and final part of GRAND ATLAS : représentation du monde universel en sept tableaux musicaux - for large symphony orchestra.', Éditions R².

Wishart, T. (2007) 'The division of labour.', PFAU, Deep Wireless Festival, Toronto, 2007.

Harry, M. (2007) ''Eingestellt' for electric string trio and distortion effects, Anna Nova Gallery, St Petersburg, Russia.', UNSPECIFIED, St Petersburg.

Fitch, F. J. (2006) 'Agricologies.', Fretwork, South Bank Centre, London.

Harry, M. (2006) 'The enigma of arrival.', Northern Sinfonia, All Saints Church, Newcastle.

Harry M., (2005) 'Chamber Intimacy.', UNSPECIFIED, Warehouse, London.

Kanno, M (2005) 'Aaron Cassidy : 'The crutch of memory' for solo violin.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Harry M., (2005) 'Restraint.', UNSPECIFIED, 'Here and Now' programme, BBC Radio 3.

Wishart, T. (2005) 'Memories of Madrid.', Centro del Conde Duque, Madrid.

Harry M., (2005) 'George Meets Arnie For Tennis.', The New Music Players, Royal Scottish Academy of Music and Drama, Glasgow.

Wishart, T. (2004) 'Globalalia.', UNSPECIFIED, Inventionen Festival, Berlin , 6 June 2004; CCRMA, Stanford, 2006; Recombinant Media, San Franciso, 2006.

Kanno, M (2003) 'Andrew Glover : the 'death of angels' for violin and orchestra.', BBC, BBC Maida Vale Studios.

Wishart, T. (2002) 'Imago.', UNSPECIFIED, Festsaal der Hochschule fur Musik, Weimar, 6 June 2002; Redcat Theatre Downtown, Los Angeles, 2004; Musica Viva Festival, Lisbon, 2005; CCRMA, Stanford, California, 2006; Recombinant Media, San Francisco, 2006.

Kanno, M. (2001) 'James Wood : 'Autumn Voices' for violin and live electronics.', UNSPECIFIED, Huddersfield Contemporary Music Festival.

Manning, P. D. (2001) 'In Memoriam CPR.', N/A, BC SFU Concert Hall, 2001; Sonorities Festival, Belfast, 2001; Kitchener Festival, Ontario, 2001; Bourges 31st International Electroacoustic Music Festival, 2001; Music Without Walls Festival, Leicester, 2002; New Music Festival, Barcelona, 2005.

List was generated at Thu May 5 03:15:03 2016 BST.