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Aksak patterns and entrained interaction in Transylvanian village music.

Clayton, Martin (2016) 'Aksak patterns and entrained interaction in Transylvanian village music.', Empirical musicology review., 10 (4). pp. 292-301.

Abstract

In this response to Filippo Bonini Baraldi, Emmanuel Bigand and Thierry Pozzo’s article ‘Measuring aksak rhythm and synchronization in Transylvanian village music by using motion capture’, I present supplementary analyses of (a) the ratio between Short and Long beats, and (b) the entrainment between the two musicians in the motion capture recordings. The main findings reported are: the mean S:L ratio is close to 1:√2, although there is some evidence for the role of 2:3 as an attractor ratio; the distribution of S:L ratios and other measures vary depending on whether the period is taken as S+L or L+S; and the S:L ratio varies with tempo. Since the viola part is much less variable than the violin part, the former should be taken as a reference; the violinist tends to play ahead of the beat articulated by the violist, significantly so except for the Short beat in one recording (Duo 14), in which the musicians exhibit a form of soft entrainment, alternating between small and large phase differences.

Item Type:Article
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Status:Peer-reviewed
Publisher Web site:http://emusicology.org/article/view/4886
Publisher statement:This article is available under a Creative Commons Attribution-NonCommercial license.
Date accepted:10 June 2015
Date deposited:20 January 2016
Date of first online publication:January 2015
Date first made open access:No date available

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