Cookies

We use cookies to ensure that we give you the best experience on our website. By continuing to browse this repository, you give consent for essential cookies to be used. You can read more about our Privacy and Cookie Policy.


Durham Research Online
You are in:

‘Post-conflict curating’ : the arts and politics of Belfast’s peace walls.

Kappler, Stefanie and McKane, Antoinette (2019) '‘Post-conflict curating’ : the arts and politics of Belfast’s peace walls.', de arte., 54 (2). pp. 4-21.

Abstract

This article conceptualises the challenges that curators of the visual arts working in post-conflict contexts face in terms of doing justice to the competing narratives and representations of past violence. To do so, the article first proposes the concept of the city-as-museum, in which independent artists and residential communities may act as curators as much as museum professionals and state organisations do. Against this background, the article goes on to consider the particular curatorial issues presented by the context of “dark tourism” in places like Northern Ireland, where social conflict itself has become the subject of exhibition. We then zoom in on three Loyalist peace walls in Belfast to suggest that those walls have been curated to represent a particular vision of a post-conflict society. We examine recent developments in mural production that have emerged alongside the site’s popularity as a “pleasurable” experience for visitors to the city. We suggest that this tension between the Troubles and the visitor’s experience generates a discourse on its own that is translated in the kind of wall monument that is created. In that sense, we can, for instance, view the murals in Belfast as sites of creative art on the one hand, and as political visions of the future of the city and region on the other hand. We cast light on the continued significance of the murals as expressions of community identities, and examine their ability to promote narratives of both division and tolerance between communities in the post-conflict city.

Item Type:Article
Full text:(AM) Accepted Manuscript
Download PDF
(1124Kb)
Status:Peer-reviewed
Publisher Web site:https://doi.org/10.1080/00043389.2019.1613747
Publisher statement:This is an Accepted Manuscript of an article published by Taylor & Francis in de arte on 16 August 2019 available online: http://www.tandfonline.com/10.1080/00043389.2019.1613747
Date accepted:13 November 2018
Date deposited:15 November 2018
Date of first online publication:16 August 2019
Date first made open access:16 February 2021

Save or Share this output

Export:
Export
Look up in GoogleScholar