Maksimainen, Johanna P. and Eerola, Tuomas and Saarikallio, Suvi H. (2019) 'Ambivalent emotional experiences of everyday visual and musical objects.', SAGE Open, 9 (3). pp. 1-17.
Art brings rich, pleasurable experiences to our daily lives. However, many theories of art and aesthetics focus on specific strong experiences—in the contexts of museums, galleries, and concert halls and the aesthetic perception of canonized arts—disregarding the impact of daily experiences. Furthermore, pleasure is often treated as a simplistic concept of merely positive affective character, yet recent psychological research has revealed the experience of pleasure is far more complicated. This study explored the nature of pleasure evoked by everyday aesthetic objects. A mixture of statistical and qualitative methods was applied in the analysis of the data collected through a semi-structured online survey (N = 464). The result asserts the experience of emotional ambivalence occurred and was composed of a variety of nuanced emotions and related association, rather than just a combination of contradicting emotions. Such paradoxical pleasure is defined as a self-conscious hedonic exposure to negative emotions in art reception. The study also depicted four types of attitudinal ambivalence: loss, diversity, socio-ideology, and distance, reflecting contextual elements intertwined into experience, and the connection between ambivalence and intense emotional experience
|Full text:||(VoR) Version of Record|
Available under License - Creative Commons Attribution.
Download PDF (235Kb)
|Publisher Web site:||https://doi.org/10.1177/2158244019876319|
|Publisher statement:||This article is distributed under the terms of the Creative Commons Attribution 4.0 License (http://www.creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).|
|Date accepted:||No date available|
|Date deposited:||08 October 2019|
|Date of first online publication:||13 September 2019|
|Date first made open access:||08 October 2019|
Save or Share this output
|Look up in GoogleScholar|