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Rethinking Sonata Failure: Mendelssohn's Overture Zum Märchen von der schönen Melusine

Horton, Julian

Rethinking Sonata Failure: Mendelssohn's Overture Zum Märchen von der schönen Melusine Thumbnail


Authors



Abstract

This article counterpoints James Hepokoski’s notion of sonata failure (Hepokoski 2002; Hepokoski and Darcy 2006) and the concept of “becoming” advocated by Janet Schmalfeldt (2011) as analytical tools in the developing field of Romantic Formenlehre. Taking Mendelssohn’s overture Zum Märchen von der schönen Melusine as a case study, it develops a taxonomy of process for Romantic form, which is applied to arbitrate failure and becoming as contrasted aspects of the overture’s construction. I theorize the work’s processes as participants in an overarching processual network interacting with syntax and voice leading to generate a characteristically dialectical idea of sonata form, which unsettles traditional perceptions of Mendelssohn as a regressive classicist.

Citation

Horton, J. (2021). Rethinking Sonata Failure: Mendelssohn's Overture Zum Märchen von der schönen Melusine. Music Theory Spectrum, 43(2), 299-319. https://doi.org/10.1093/mts/mtaa032

Journal Article Type Article
Acceptance Date Apr 30, 2020
Online Publication Date Jul 17, 2021
Publication Date 2021
Deposit Date May 12, 2020
Publicly Available Date Jul 17, 2023
Journal Music Theory Spectrum
Print ISSN 0195-6167
Electronic ISSN 1533-8339
Publisher Oxford University Press
Peer Reviewed Peer Reviewed
Volume 43
Issue 2
Pages 299-319
DOI https://doi.org/10.1093/mts/mtaa032

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Copyright Statement
Tables This is a pre-copyedited, author-produced PDF of an article accepted for publication in Music theory spectrum following peer review. The version of record, Horton, Julian (2021). Rethinking Sonata Failure: Mendelssohn's Overture Zum Märchen von der schönen Melusine. Music Theory Spectrum 43(2): 299-319, is available online at: https://doi.org/10.1093/mts/mtaa032





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