Riddell, Fraser (2022) 'Music and the Queer Body in English Literature at the Fin de Siècle.', Cambridge: Cambridge University Press. Cambridge Studies in Nineteenth-Century Literature and Culture.
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time.
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|Publisher Web site:||https://doi.org/10.1017/9781108989541|
|Publisher statement:||An online version of this work is published at doi.org/10.1017/9781108989541 under a Creative Commons Open Access license CC-BY-NC 4.0 which permits re-use, distribution and reproduction in any medium for non-commercial purposes providing appropriate credit to the original work is given and any changes made are indicated. To view a copy of this license visit https://creativecommons.org/ licenses/by-nc/4.0|
|Date accepted:||No date available|
|Date deposited:||13 May 2022|
|Date of first online publication:||14 April 2022|
|Date first made open access:||13 May 2022|
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