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Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France)

Needham, Andy; Wisher, Izzy; Langley, Andrew; Amy, Matthew; Little, Aimée

Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France) Thumbnail


Authors

Andy Needham

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Isobel Wisher isobel.c.wisher@durham.ac.uk
PGR Student Doctor of Philosophy

Andrew Langley

Matthew Amy

Aimée Little



Abstract

Palaeolithic stone plaquettes are a type of mobiliary art featuring engravings and recovered primarily from Magdalenian sites, where they can number from single finds to several thousand examples. Where context is available, they demonstrate complex traces of use, including surface refreshing, heating, and fragmentation. However, for plaquettes with limited or no archaeological context, research tends to gravitate toward their engraved surfaces. This paper focuses on 50 limestone plaquettes excavated by Peccadeau de l’Isle from Montastruc, a Magdalenian rockshelter site in southern France with limited archaeological context; a feature common to many art bearing sites excavated across the 19th and early 20th Centuries. Plaquette use at Montastruc was explored via a programme of microscopy, 3D modelling, colour enhancement using DStretch©, virtual reality (VR) modelling, and experimental archaeology, the latter focusing on limestone heating related to different functional and non-functional uses. While the limited archaeological context available ensures the results remain only indicative, the data generated suggests plaquettes from Montastruc were likely positioned in proximity to hearths during low ambient light conditions. The interaction of engraved stone and roving fire light made engraved forms appear dynamic and alive, suggesting this may have been important in their use. Human neurology is particularly attuned to interpreting shifting light and shadow as movement and identifying visually familiar forms in such varying light conditions through mechanisms such as pareidolic experience. This interpretation encourages a consideration of the possible conceptual connections between art made and experienced in similar circumstances, such as parietal art in dark cave environments. The toolset used to investigate the Montastruc assemblage may have application to other collections of plaquettes, particularly those with limited associated context.

Citation

Needham, A., Wisher, I., Langley, A., Amy, M., & Little, A. (2022). Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France). PLoS ONE, 17(4), Article e0266146. https://doi.org/10.1371/journal.pone.0266146

Journal Article Type Article
Acceptance Date Mar 15, 2022
Online Publication Date Apr 20, 2022
Publication Date 2022
Deposit Date Jun 20, 2022
Publicly Available Date Jun 20, 2022
Journal PLoS ONE
Publisher Public Library of Science
Peer Reviewed Peer Reviewed
Volume 17
Issue 4
Article Number e0266146
DOI https://doi.org/10.1371/journal.pone.0266146

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Published Journal Article (3.6 Mb)
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Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/

Copyright Statement
© 2022 Needham et al. This is an open
access article distributed under the terms of the
Creative Commons Attribution License, which
permits unrestricted use, distribution, and
reproduction in any medium, provided the original
author and source are credited.




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