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'Mahler's Liszt and the Hermeneutics of Chant'

Zon, BM

Authors



Abstract

While Mahler's adaptation of previously existing material is generally understood from a compositional standpoint, its philosophical import remains elusive. This essay explores the relationship between these perspectives by situating the fourth movement of Mahler's first symphony within the context of Wilhelm Dilthey's hermeneutical philosophy. The Cross motif (as described by Floros) is examined for its structural relations to the latter section of Liszt's Dante and the Magnificat chant upon which it is based. These reveal a compositional attitude to the past with close philoso-phical similarities to Dilthey's concept of the present as 'the moment filled with experience'. Indeed, Mahler's borrowing emblemizes Dilthey's claim that 'both past and future elements are related to the experience in a sequence which, through these relationships, is welded into a whole.'

Citation

Zon, B. (2005). 'Mahler's Liszt and the Hermeneutics of Chant'. Studia musicologica Academiae Scientiarum Hungaricae, 46(3-4), 383-402. https://doi.org/10.1556/smus.46.2005.3-4.5

Journal Article Type Article
Publication Date 2005-11
Deposit Date Apr 23, 2008
Journal Studia Musicologica Academiae Scientiarum Hungaricae
Print ISSN 0039-3266
Publisher Akadémiai Kiadó
Peer Reviewed Peer Reviewed
Volume 46
Issue 3-4
Pages 383-402
DOI https://doi.org/10.1556/smus.46.2005.3-4.5
Keywords Analysis, Gustav Mahler, Franz Liszt, Mahler's first symphony, Cross motif.

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