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Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness

Horlor, Samuel

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Abstract

This article reports on perceptions of audiencing – the active roles of witnessing and validating involving physical expressivity – raised by a selection of foreign musicians in relation to their experiences of performing rock and related genres in China. It highlights the connections between embodied dimensions of face-to-face musical experiences and the lenses of national difference and sameness bound up in debates over the colonial implications of “intercultural” musical encounters.

Citation

Horlor, S. (2022). Audiencing in China: Foreign Rock Musicians’ Perceptions of Difference and Sameness. Popular Music and Society, 45(5), 584-599. https://doi.org/10.1080/03007766.2022.2111123

Journal Article Type Article
Acceptance Date Aug 5, 2022
Online Publication Date Aug 21, 2022
Publication Date 2022
Deposit Date Aug 22, 2022
Publicly Available Date Feb 22, 2024
Journal Popular Music and Society
Print ISSN 0300-7766
Electronic ISSN 1740-1712
Publisher Taylor and Francis Group
Peer Reviewed Peer Reviewed
Volume 45
Issue 5
Pages 584-599
DOI https://doi.org/10.1080/03007766.2022.2111123
Public URL https://durham-repository.worktribe.com/output/1193845

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