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Mind-wandering during contemporary live music: An exploratory study

Deil, Juliane; Markert, Nina; Normand, Philip; Kammen, Philipp; Küssner, Mats B.; Taruffi, Liila

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Authors

Juliane Deil

Nina Markert

Philip Normand

Philipp Kammen

Mats B. Küssner



Abstract

During a live concert, the mind can wander to unrelated thoughts such as personal concerns or past memories or to vivid images that are inspired by the music. This is an omnipresent phenomenon commonly referred to as mind-wandering. Psychological research on mind-wandering has explored its main characteristics, such as frequency, phenomenology, and impact on mood, both in the laboratory and in daily life contexts. This study aimed to harness the ecological setting of a live music concert to examine the occurrence and content of mind-wandering, as well as visual mental imagery as a mode through which mind-wandering occurs, and its relationship with the concertgoers’ moods before and after the music event. A self-report questionnaire (n = 43) was used to collect data at two concerts of ambient music given as part of the CTM Festival. Findings suggest that mind-wandering occurs extensively in a concert environment. While mind-wandering episodes feature negative themes and moods—in the form of dark content of the visual mental imagery associated with the program’s musical tone—the concert environment still contributes to participants feeling more inspired afterward. Overall, this study points to the potential of live music contexts to stimulate a beneficial style of mind-wandering (i.e., one that leads to a positive impact on mood and imagery), and its findings are in line with those of previous research showing that live concerts lead to increased well-being of concertgoers. Implications for well-being and a call for more systematic research on this subject are discussed.

Citation

Deil, J., Markert, N., Normand, P., Kammen, P., Küssner, M. B., & Taruffi, L. (2023). Mind-wandering during contemporary live music: An exploratory study. Musicae Scientiae, 27(3), 616–636. https://doi.org/10.1177/10298649221103210

Journal Article Type Article
Acceptance Date May 10, 2022
Online Publication Date Jul 26, 2022
Publication Date 2023-09
Deposit Date Aug 24, 2022
Publicly Available Date Aug 24, 2022
Journal Musicae Scientiae
Print ISSN 1029-8649
Electronic ISSN 2045-4147
Publisher SAGE Publications
Peer Reviewed Peer Reviewed
Volume 27
Issue 3
Pages 616–636
DOI https://doi.org/10.1177/10298649221103210
Public URL https://durham-repository.worktribe.com/output/1196381

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Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/

Copyright Statement
This article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).




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