Cookies

We use cookies to ensure that we give you the best experience on our website. By continuing to browse this repository, you give consent for essential cookies to be used. You can read more about our Privacy and Cookie Policy.


Durham Research Online
You are in:

Music and the aural arts.

Hamilton, A. (2007) 'Music and the aural arts.', British journal of aesthetics., 47 (1). pp. 46-63.

Abstract

The visual arts include painting, sculpture, photography, video and film. But many people would argue that music is the universal or only art of sound. In the modernist era, Western art music has incorporated unpitched sounds or "noise", and I pursue the question of whether this process allows space for a non-musical soundart. Are there non-musical arts of sound – is there an art phonography, for instance, to parallel art photography? At the same time, I attempt a characterisation of music, contrasting acoustic, aesthetic and acousmatic accounts. My view is that there is some truth in all of these. I defend the claim that music is an art with a small "a" – a practice involving skill or craft whose ends are essentially aesthetic, that especially rewards aesthetic attention – whose material is sounds exhibiting tonal organisation. But acoustic and acousmatic accounts help to distinguish between music and non-musical soundart, since music must have a preponderance of tones for its material.

Item Type:Article
Additional Information:
Full text:Full text not available from this repository.
Publisher Web site:http://dx.doi.org/10.1093/aesthj/ayl038
Date accepted:No date available
Date deposited:No date available
Date of first online publication:January 2007
Date first made open access:No date available

Save or Share this output

Export:
Export
Look up in GoogleScholar