Long, J. J. (2003) 'History, narrative, and photography in W. G. Sebald's die Ausgewanderten.', Modern language review., 98 (1). pp. 117-137.
The function of photography in W. G. Sebald's Die Ausgewanderten goes beyond the merely illustrative. The photographs that are handed down to the narrator in the course of his researches are read in terms of postmemory and the affiliative gaze, both of which allow the narrator to suture himself into the biographies of the four emigrants. Photographs taken by the narrator, on the other hand, are read in terms of reflexive reference: images refer to other images within the text, constituting a pictorial metaphor of the overall textual thematics. In both cases, photographs enable the narrator to construct a sense of continuity and permanence in the face of historical trauma and loss.
|Keywords:||Photography, W. G. Sebald's Die Ausgewanderten, Postmemory, Affiliative gaze, Trauma.|
|Full text:||(VoR) Version of Record|
Download PDF (185Kb)
|Publisher Web site:||http://www.ingentaconnect.com/content/mhra/mlr/2003/00000098/00000001/9801117|
|Date accepted:||No date available|
|Date deposited:||30 May 2008|
|Date of first online publication:||January 2003|
|Date first made open access:||No date available|
Save or Share this output
|Look up in GoogleScholar|