Clayton, Martin (2001) 'Introduction : towards a theory of musical meaning (in India and elsewhere).', British journal of ethnomusicology., 10 (1). pp. 1-17.
This article introduces a special issue of the British Journal of Ethnomusicology on “music and meaning”. It does so by offering some thoughts on “meaning” in the context of north Indian rāga music and by sketching the outline of an approach to musical meaning influenced by perspectives from ethnomusicology, psychological anthropology, cognitive science and cultural studies. The article proposes that all music is necessarily meaningful insofar as it offers to the perceiving subject possibilities for action and imagination, and that meaning is wholly dependent neither on semiosis nor on the apprehension of formal or structural relationships.
|Full text:||(AM) Accepted Manuscript|
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|Publisher Web site:||http://dx.doi.org/10.1080/09681220108567307|
|Publisher statement:||This is an Accepted Manuscript of an article published by Taylor & Francis Group in British Journal of Ethnomusicology on 2001, available online at: http://www.tandfonline.com/10.1080/09681220108567307.|
|Date accepted:||No date available|
|Date deposited:||03 October 2011|
|Date of first online publication:||2001|
|Date first made open access:||No date available|
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